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Autumn 2022 – the most important photo premieres

The last months of the year are often the time for the premiere of the most important photographs. There was no shortage of emotions this time either. We will get to know the most interesting cameras and lenses of autumn 2022.

The past year was full of important premieres that outline the development direction of photography companies after the pandemic stopped. The renaissance of APS-C and Micro Four Thirds systems is particularly striking. In the first half of the year, we finally saw the long-awaited Lumix GH6, the first flagship of the OM System production, or the most complete camera that has seen the light of day so far with a smaller matrix (Fujifilm X-H2S ). Canon and Sony are also interested in APS-C systems again. And even though these premieres were the focus of this season, there was no shortage of emotions in the second half of the year either.

Together with the store, we look at the most important premieres of the fall and explain why they are destinations worth remembering for a longer time. There’s no shortage of items that set trends and break patterns, setting the tone for years to come.

Major photo premieres – fall 2022

Canon EOS R6 Mark II

The fairly quick switch to one of Canon’s best bodies to date might be a little surprising, but it’s fully justified. By improving the small flaws of its predecessor and with a few innovations, the manufacturer gives us probably the most versatile full-frame camera in history and makes a competitor that has been in a comfortable position for several years chasing it again.

The main news of the Canon EOS R6 Mark II model is a new, larger 24 megapixel matrix, burst mode up to 40 fps and 4K 60 fps video mode oversampled from 6K resolution, in which, worth mentioning, can be filmed. using an external recorder. In addition, 50% longer battery life, even better object detection and finally a webcam mode without additional software. The R6 Mark II is a true beast with the potential to achieve cult status.

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Sony A7R V

The fifth generation A7R is catching up to the main competitor (EOS R5) and is finally a fully mature professional grade body. It not only boasts the world’s highest full-frame resolution, but also ultimately immerses it in performance, making it one of the best choices for commercial, portrait and landscape photography, but also for filmmaking.

In this case, the main points of the program are burst mode up to 10 fps and a spacious buffer, improved autofocus system using artificial intelligence solutions and movie mode 8K 25 fps or 4K 60 fps with 10-bit color and smooth log. profile. This camera is an all-in-one combination capable of handling the most demanding tasks in the world of commercial assignments.

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Fujifilm X-H2

40 megapixels for less than 10,000 zlotys? In addition, impressive performance up to 20 frames per second, the fastest electronic shutter on the market, a powerful AF system, 8K 30 fps movie mode with ProRes 422 recording option, advanced sensor stabilization and extended resolution mode.

The Fujifilm X-H2 not only boasts the world’s highest resolution of APS-C matrices, but also breaks conventional patterns. It is the first camera in this segment to sharpen its teeth on commercial orders, which until now have been reserved for the most expensive full-frames. And it’s all wrapped up in the best ergonomics in System X history.

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Fujifilm X-T5

What if you could get all this for even less and in an even smaller package? The Fujifilm X-T5 is an attempt to close the possibilities of the X-H2 model in a walking scale body, which also sets a new direction for the development of the iconic series.

The X-T5 breaks trends and offers possibilities at an advanced middle class price that no other manufacturer at this level can think of. In terms of performance, it is slightly inferior to its big brother, but it is still one of the most interesting cameras for documentarians, landscapers and creators of artistic projects.

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Sony FX30

A camera that shows that Sony is finally serious about the APS-C segment and has the potential to change the mid-range video production market. Because it’s basically not a camera, but the smallest Cinema Line camera.

Equipped with a new 20 megapixel sensor with Dual Base ISO technology, 10-bit 4K 120 fps movie mode with 4:2:2 sampling and ALL compression, S-Cinetone color profile, 4-channel audio recording, unlimited working time and the possibility to upload your own LUTs: t, it has everything to create professional video productions and it is in a segment where there is no point in looking for competitive solutions.

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OM system OM-5

The Olympus EM-5 series was once considered the best cameras for advanced hobbyists. With the OM System OM-5 model, the new owner returns to the roots of the line and presents a camera that should be loved by even more ambitious enthusiasts – from travel photographers to videographers.

The OM-5 offers the top model E-M1 Mark III’s 20 millionth sensor, 7.5 EV stabilization, advanced AF system, burst mode up to 30 fps and 4K movie mode with 30 fps log profile. In addition, a compact, light housing and a number of special functions, such as ND filter simulation, the possibility to save the image as a loop before pressing the shutter button or convenient night shooting modes. This little guy might surprise you.

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Sigma 18-50mm f/2.8 DC DN Contemporary

APS-C systems are definitely living their second youth, but they still struggle with eyepiece availability. In particular, there are no substitutes available for native glasses, which are quite large in the full frame and thanks to which less wealthy makers can move quite freely in the corners of the budget. Recently, this has changed, and one of the advocates of this change is Sigma.

The Sigma 18-50mm f/2.8 DC DN Contemporary offers a 27-75mm equivalent, creating an interesting and affordable alternative to the original fast mid-range zooms. Above all, however, it is very compact (65 x 74 mm, 290 g), which allows us to finally say that the APS-C segment offers really visible advantages in terms of size and mobility. And now, finally, Fujifilm camera users can use the lens.

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Canon RF 135mm f/1.8L IS USM

The RF lens family has finally been enriched with a portrait classic. Like all professional glasses from the RF system, it could not come without unique features that set the design apart from the competition.

The Canon RF 135mm f/1.8 is the first stabilized full-frame lens at this focal length, otherwise setting new standards for this type of image reproduction and performance. Although it is a typical portrait design and also quite heavy, it easily copes with tracking and shooting dynamically moving subjects. In addition, it offers a short minimum focusing distance of 75 cm, which allows it to also be used as a pseudo-macro lens.

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Fujifilm Fujinon XF 30mm f/2.8 R LM WR Macro

Universal focal length and 1:1 magnification. The Fujifilm XF 30 mm f/2.8 R LM WR Macro is a versatile lens that can be used for many purposes, from documentaries to portraits, product photography and typical macro photos.

The glass is equivalent to a 46mm full-frame lens, allows focusing at least 1.2cm from the front lens element, and is sealed from the elements. This is an interesting replacement for the system 50mm (Fujinon Xf 35mm f/2) and a really good suggestion for a first lens.

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Nikkor Z 600mm f/4 TC VR S

The latest super telephoto lens fills a gap in the Z system offering and highlights the manufacturer’s commitment to developing professional lenses. It is also a much more advanced model than its SLR predecessor.

First, the Nikkor Z 600mm f / 4 TC VR S gets a built-in telephoto extension that extends the lens’ reach to 840mm, while also boasting over 500g less weight than the AF. -S version. This is the future of professional long cans.

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Nikon Nikkor Z 17-28mm f/2.8

The recipe for the disease of most photographers of architecture, interior, landscape or action related to the Z system, i.e. a bright and affordable and compact wide-angle zoom with very good optical parameters.

The Nikon Nikkor Z 17-28mm f/2.8 is essentially a repackaged Tamron zoom with the same parameters. Since the latter is not currently available in the Z system, the Nikon 17-28mm is probably the most cost-effective wide-angle lens for Nikon’s mirrorless cameras right now.

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Tamron 20-40mm f/2.8 Di III VXD

I think we’re all used to the fact that Tamron has become one of those companies that sets market trends from a producer at the bottom of the pack. Now it revives the idea of ​​a 20-40 mm zoom, which makes even more sense today. A lens with such parameters is not only typical photography applications but also one of the best choices for video production.

At a distance of 20-40 mm, you can record one-person vlogs and extensive plans, as well as tighter interviews or product and portrait shots. A high light factor ensures that the image can boast of good plasticity. Definitely one of the most practical glasses we’ve come across in recent years.

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DJI Osmo Mobile 6

What if you could close the possibilities of a professional gimbal in a model designed for smartphones? Osmo Mobile 6 is the next generation of the most advanced smartphone stabilizer, which, thanks to ergonomic changes, evolves into an increasingly advanced camera world.

The biggest novelty here is the physical knob that allows us to smoothly adjust the zoom or focus, which allows us to precisely control these parameters and create better-looking videos. In addition, an improved tracking system and a convenient folding design, thanks to which the gimbal can be conveniently taken practically anywhere.

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Fujifilm Fujinon GF 20-35mm f/4 R WR

In the world of medium-sized lenses, we see wide-angle lenses quite rarely. Even rarer wide-angle zooms. However, what would Fujifilm be if it didn’t try to break this pattern as well. The new Fujinon is a glass that opens up completely new possibilities for creators.

Fujinon’s GF 20-35mm f/4 R WR, which offers 16-28mm equivalent focal lengths, is both the widest zoom in the GFX system and the widest medium zoom ever. In addition, it has great optics and is quite compact for these realities (88.5 x 112.5 mm, 725 g). The dream of demanding landscape painters and architectural photographers.

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